Descendants of Brigid | A review of ‘Our Hideous Progeny’ by C.E McGill
Molly McGill's review of "Our Hideous Progeny" by C.E. McGill for her column 'Descendants of Brigid.'
On Becoming in Hyeseung Song’s ‘Docile: Memoirs of a Not-So-Perfect-Asian Girl’
Chris McElroy's review of Hyeseung Song’s "Docile: Memoirs of a Not-So-Perfect-Asian Girl"
Descendants of Brigid | Review of ‘Wilder Girls’ by Rory Power
Molly McGill's review of "Wilder Girls" by Rory Power for her column "Descendants of Brigid"
Review of Laura Isabela Amsel’s “A Brief Campaign of Sting and Sweet”
Vare Christine's review of "A Brief Campaign of Sting and Sweet" by Laura Isabela Amsel
Linguistic Libertinism in Anne Garréta’s “In Concrete”
Kimmo Rosenthal's review of "In Concrete" by Anne Garreta
Review of “Skull Slime Tentacle Witch War” by Rick Claypool
Adam McPhee's review of "Skull Slime Tentacle Witch War" by Rick Claypool
Descendants of Brigid | A review of “Most Ardently: A Pride and Prejudice Remix” by Gabe Cole Novoa
Molly McGill's review "Most Ardently: A Pride and Prejudice Remix" by Gabe Cole Novoa for her column "Descendants of Brigid"
Uniting through the Language of Conflict: A Review of Writing Under Fire: Poetry and Prose from Ukraine and the Black Country
Nicole Yurcaba's review of "Writing Under Fire: Poetry and Prose from Ukraine and the Black Country" edited by Sebastian Groes, Carmel Doohan, Sofiya Filonenko, and Kerry Hadley Price
When the Monster (or So the World Tells You) is You: A Review of Courtney Bates-Hardy’s “Anatomical Venus”
Nicole Yurcaba's review of "Anatomical Venus" by Courtney Bates-Hardy
Verses on Verses | “The now and the time before” a review of Hail the Sun & Intervals in Seattle
LE Francis' review of Hail the Sun & Intervals coheadlining show at The Crocodile in Seattle on March 17, 2024