Artistic Expression, Act of Political Defiance — A Review of “My Pen is the Wing of a Bird: New Fiction by Afghan Women”
Nicole Yurcaba's review of "My Pen is the Wing of a Bird: New Fiction by Afghan Women"
Poems that Journey Far: A Review of Baiba Bicole’s “To Taste the River”
Nicole Yurcaba's review of "To Taste the River" by Baiba Bicole
As if Frost and the Chinese Poets Met in a Field of Light and Shadow – A Review of David Young’s “Field of Light and Shadow: New and Selected Poems”
Nicole Yurcaba's review of "Field of Light and Shadow: New and Selected Poems" by David Young
For 100 Rhine Ducats: A Review of Viktor Dyk’s “The Ratcatcher”
Nicole Yurcaba's review of "the Ratcatcher" by Viktor Dyk
Oh, Those Streets, Cemeteries, and Aquariums!: A Review of Vitezslav Nezval’s “Farewell and a Handkerchief: Poems from the Road”
Nicole Yurcaba's review of "Farewell and a Handkerchief: Poems from the Road"
The Many Ways the World Ends–and Begins: A Review of Kelsey Socha’s “An Archive of Brightness”
Nicole Yurcaba's review of "An Archive of Brightness" by Kelsey Socha
This Collection is Not as Nihilistic as it Seems: A Review of Eric Stiefel’s “Hello Nothingness”
Nicole Yurcaba's review of "Hello Nothingness" by Eric Stiefel
A Self Torn: A Review of Cristina A. Bejan’s “Green Horses on the Walls”
Nicole Yurcaba's review of "Green Horses on the Walls" by Cristina A. Bejan
I Read It to Impress A Guy: A Look at Cormac McCarthy’s “The Passenger”
Nicole Yurcaba's review of "The Passenger" by Cormac McCarthy
Metaphors for the Dangers of Capitalism and Corporations: A Review of Olga Ravn’s “The Employees”
Nicole Yurcaba's review of "The Employees" by Olga Ravn.