Review of Broadway’s “Death Becomes Her” at the Lunt-Fontanne Theatre
Matt Storti's review of "Death Becomes Her"
the untamed camera: Trans Liminality, but Unpretentious
mk zariel's review of "The Untamed Camera" by nat raum
Verses on verses | I was blitzed at the Aaron West show & other reasons why this column went cold for months
A general installment of LE Francis' ongoing column on live music review.
On Becoming in Hyeseung Song’s ‘Docile: Memoirs of a Not-So-Perfect-Asian Girl’
Chris McElroy's review of Hyeseung Song’s "Docile: Memoirs of a Not-So-Perfect-Asian Girl"
Descendants of Brigid | Review of ‘Wilder Girls’ by Rory Power
Molly McGill's review of "Wilder Girls" by Rory Power for her column "Descendants of Brigid"
Review of Laura Isabela Amsel’s “A Brief Campaign of Sting and Sweet”
Vare Christine's review of "A Brief Campaign of Sting and Sweet" by Laura Isabela Amsel
Every Man Has Your Voice: 40 Years of American Longing in “Paris, Texas”
Sarah Hassan's creative non-fiction essay on "Paris, Texas" (1984)
Linguistic Libertinism in Anne Garréta’s “In Concrete”
Kimmo Rosenthal's review of "In Concrete" by Anne Garreta